The Great Gatsby: No, he doesn’t, said Tom

“No, he doesn’t,” said Tom coldly. “And if you feel that way about it, maybe I’d better sell it somewhere else after all.”

“I don’t mean that,” explained Wilson quickly. “I just meant—”

His voice faded off and Tom glanced impatiently around the garage. Then I heard footsteps on a stairs, and in a moment the thickish figure of a woman blocked out the light from the office door. She was in the middle thirties, and faintly stout, but she carried her flesh sensuously as some women can. Her face, above a spotted dress of dark blue crêpe-de-chine, contained no facet or gleam of beauty, but there was an immediately perceptible vitality about her as if the nerves of her body were continually smouldering. She smiled slowly and, walking through her husband as if he were a ghost, shook hands with Tom, looking him flush in the eye. Then she wet her lips, and without turning around spoke to her husband in a soft, coarse voice:

“Get some chairs, why don’t you, so somebody can sit down.”

“Oh, sure,” agreed Wilson hurriedly, and went toward the little office, mingling immediately with the cement colour of the walls. A white ashen dust veiled his dark suit and his pale hair as it veiled everything in the vicinity—except his wife, who moved close to Tom.

“I want to see you,” said Tom intently. “Get on the next train.”

“All right.”

“I’ll meet you by the newsstand on the lower level.”

She nodded and moved away from him just as George Wilson emerged with two chairs from his office door.

We waited for her down the road and out of sight. It was a few days before the Fourth of July, and a grey, scrawny Italian child was setting torpedoes in a row along the railroad track.

“Terrible place, isn’t it,” said Tom, exchanging a frown with Doctor Eckleburg.

“Awful.”

“It does her good to get away.”

“Doesn’t her husband object?”

“Wilson? He thinks she goes to see her sister in New York. He’s so dumb he doesn’t know he’s alive.”